AMPEG SVT 410-HLF >> 4×10 Bass Cab
Versatile High Fidelity Performance
This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10” speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers! And those leviathans simply can’t respond to transient peaks as quickly as four tens can.
The SVT-410HLF also delivers superb top-end, thanks to its 1” horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs’ bass player, Mark Fain.
The Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.
AMPEG SVT 810E – 8×10 Bass Cab “The Fridge”
This is the fridge.
This is the speaker cab that owns the stage. This is the speaker cab you want to own.
The SVT-810E Infinite Baffle™ design has remained constant since 1969 and delivers the punchy, round sound that defines the Ampeg tone. The combined air-moving capability of eight 10″ speakers reacts faster to transients than fifteens or eighteens. The result is sound you can feel, that the audience can feel and that truly delivers what you want out of a bass rig. Simply put, the SVT-810E produces the vast amounts of tightly focused bass your band needs. In the world of high-performance bass cabs, the Ampeg SVT-810E stands tall and proud.
- Heavy-duty Baltic birch plywood enclosure
- Infinite Baffle™ design adds punch
- 1/4″ and Neutrik® Speakon jacks
- Rugged recessed wheels and skid rails
- Ampeg Classic Series fit and finish
https://www.youtube.com/watch?v=CjN5SGMT3gU
AMPEG SVT-15E >> 15″ Bass Cab
Groove Starter
When only the fat, warm sound of a 15” speaker will get the job done, we highly recommend the SVT-15E. Armed with a massive five-pound magnet, the SVT-15E’s custom-designed 15” speaker generates chest-thumping low end like nobody’s business—all the way down to 33Hz. Team it up with the SVT-CL head and an SVT-410HE, for top-end, and you’re guaranteed to get the dance floor moving.
AMPEG SVT-4Pro >> Hybrid Bass Amp Head
Stereo SVT
In the world of high-performance bass amps, Ampeg’s SVT amplifiers are in a class by themselves. In true Ampeg tradition, the SVT-4 PRO offers you more power, performance and flexibility than any other bass amplifier in its class.
SVT-4PRO offers an expansive palette of tonal options. The Frequency control allows you to select the center frequency for the Midrange control, giving you five distinct voicing options for the Midrange. And if that’s not enough, you can use the 9-Band Graphic EQ to fine-tune your sound—or use it to set up a footswitchable “second channel” with a volume boost for your bass solo.
SVT-4PRO is designed for the player who wants SVT tone and performance (with a few modern enhancements) in a convenient, high-powered, rackmount design. With a huge diverse group of artist endorsements, including Tony Levin (Peter Gabriel/King Crimson), Cliff Williams (AC/DC), Pablo Stennett (Ziggy Marley) and far too many others to list here, the SVT-4PRO is a clear favorite among professionals. In the world of high performance bass amps, the Ampeg SVT-4PRO has what it takes to really define your sound.
- 1/4″ and Neutrik Speakon® Outputs
- Input Peak LED
- Defeatable Optocoupler Limiters
- Variable Internal 24 dB/Octave Crossover
- Variable 0 – 7:1 Compressor
AMPEG SVT-7Pro – Hybrid Bass Amp Head
Small Head. Huge Power.
The SVT-7PRO pumps out a ferocious kilowatt of pure Ampeg tone in a compact design that weighs in at just 15lbs. The SVT-7PRO features the same professional features as the other PRO Series heads including a flexible 5-position mid tone control, remote switching FX loop and a sleek onboard variable compressor. The tube preamp boasts a premium JJ 12AX7 that feeds the weight-defying Class-D power section. Sure it’s portable and yes, it’s small…but it can power everything from a small single PN-115HLF up to a monster Heritage SVT-810E. And at 80 cents a watt, the value is undeniable.
https://www.youtube.com/watch?v=6X5sPJdAa8g
AMPEG V-4B >> All Tube – Bass Amp Head
100w of Legendary Ampeg All-Tube Base Tone
The Ampeg V-4B 100W All-Tube Bass Head is a remarkable reissue of the legendary 1971 original, delivering the pure tube tone and unmistakable grind that earned the classic a place in bass history. And with a careful selection of modern features, the V-4B provides Ampeg all-tube tone in a portable design perfect for today’s players.
- AN ALL-TUBE LEGEND
- Vintage tone, rocker switches and chassis suspension system
- THE BEAUTY OF 100 TUBE WATTS
- Pure Ampeg tube tone at half the weight of an SVT head
- THE RIGHT CHOICE OF MODERN FEATURES
- Integrated DI, multiple speaker outs and more
https://www.youtube.com/watch?v=gVp-gMonEgI
Avantone ATOM >> Dynamic Tom Microphone
This is the 2nd generation ATOM tom microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest tom microphone available, both for live clubs & concerts, as well as serious studio recording projects. The Avantone ATOM tom mic adheres to our overall tonal philosophy of “big sounding drums” and incorporates an oversize capsule that captures a huge low end as well as a penetrating attack. The ATOM is custom voiced to yield a fat, big sound that often requires no EQ at all! Because of the special voicing on the ATOM, it also is fantastic on djembe, large congas, and bass amp cabinets.
Avantone CK-1 >> Small-Capsule FET Pencil Microphone
The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-1 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics, but at a fraction of their cost!
Avantone CK-6 >> Classic Large Capsule Cardioid FET Condenser Microphone
The CK-6 Classic in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of “upgrade” components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-6 Classic for instrumental and vocal miking. It exudes class visually as well as sonically.
Avantone CK-7 >> Large Capsule Multi-Pattern FET Condenser Microphone
The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-7 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
Avantone CR-14 >> Ribbon Microphone
The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CR-14 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the very finest Ribbon mics…but at a fraction of their cost!
Avantone CV-28 >> Small-Capsule Tube Condenser Microphone
The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CV-28 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s & 1960’s…but at a fraction of their cost!